Conversation
with Owl and Clouds
Owl-night, moon-gone, my wherewithal
is yellow pine. Is trillium and unfurled
frond.
Clouds,---a cantilever of the trees, vapor-
plied architecture of the ephemeral---teach
me
the apparition-life, what tunes the branches'
nocturne off-key: how do bodies turn into
song? Glow of dust and sandstone light,
stars
dropped like pebbles, like crumbs, heretofore
a fairy tale trail. Barn owl, secretive
and out-
spoken, you spout two minds, a hiding place
and a traffic sign. What's this absence
you speak of? Nonsense-yakking lost soul,
lost soul, the self-question that
grows---Who
what?---odd and old. My rude reply: Me,
that's who.
Build me up into the fog, into brevity
made beautiful, the wet-dressed disaster
that's rain, that's the storm-threat of
forest fire.
I want to be ornate and ornery. More than
a vapor-child, a night's ward like the
white
monkshood tucking under its bud, too shameful
to flower. I am hearing it: spring's first
wild melt,
each drop trickling into the next, a minor
chord. So snow's gone, so how can I be
ice dissolving in water? (What was ice-fist
is now creek.) Cloud me, sparrowing and
bark-
loose, each season's dark ambition: a patient
pattern
gone. O, I am hearing it: this say-nothing
noise, how the world's clamor-born and
sorrowful, tricked for loss, the silent
purpling
of crocuses mouthing back at the owl:
I will not, and soon---
Hunger Essay
Thou turnest thy face
away,
all things tremble and grow cold.
--Raphael, from Haydn's Die Schöpfung
(The Creation)
He shows me a place in the forest
that sounds of creaking doors. The young
ones
are growing. They are
in pain. He shows me:
his hands wring a beech tree's neck
and it moans.
Even my fingers wrap the bark
to touch my wrist. Listen---
Each tree fights out its earthwork. Branching
around us, beneath us
they are an imbroglio of roots---
a chokehold chorus.
From trunk to trunk, we do
the strangle, we do the wicked pole-dance.
He loves the birch's bone-thin pallor
and I watch him match his limbs
to the scrawniest wood.
He will not embrace the wider trees.
*
Blue-eyed towhead throbbing with falsetto:
Teurer Gatte, dir zur Seite,
schwimmt in Freuden mir das Herz.
He remembers our mother. I don't. She
was, he admitted, a weak soprano.
Dear husband, at thy side
my heart is bathed in rapture.
Blushing at rapture, he gestures,
plays Mother's
Eve. Turns the duet solo, Adam gone
silent. Der Abendhauch. Because
I won't
sing. Echoes the forest: the evening
wind.
*
Every puddle rivers with desire.
Paltry pools palming a leaf
long to pond.
What is that like? To not fit
one's true shape.
To be less than. Today he pretends
we've run away. I want to
kick him in the shins.
I want to say
Father orphaned us
before his time. Father
would thin the forest
around our house, his axe
a second wife to marry.
His wife, an axe to bed. A stepmother.
I am a stepped child.
I am through
with chokecherries, through
with loam in my throat---
three weeks gone. Pussy-toed,
elegiac, he avoids the pools
and will not answer to Brother.
*
The Creation ends in love. He places
a hand on the well of my stomach, says
I am more hollow---his hand, a single
bone. We sleep on weather-brittle leaves,
on
pine needles that fail to sting, and listen
to our bodies' private rumblings. We are
a thunder each. The Creation ends
in
Alleluia! He fancies a garden
of cotton, a rock sugar house that we'll
tear down with hunger. But where will
we live?
We were born lost. The forest is our home.
Innocence Essay
I only read in bed.
Father roosts on the edge of night,
waits for the book to drop. In the forest,
the princess blackens her face with dirt.
I understand. It is forbidden.
I cross the hall to become my mother
---we are one face---
and hide her ashes in a shell.
This is where Father wants to be.
Walnut, he calls me,
*
I only bite your hem. And it is
true. It is
a tale Mother told
of the dark envelope. Inside, she
said,
were morsels of women, skin
as cold as sand.
She did not know then
that her limbs were stitched
with air.
Holy
remnant,
white stain on our sheet. Father,
I know, loves me.
*
We pass in the garden. How
is grass
not infinite passage?
I cannot look
but his fingertips
learn
my lobe. How is forsythia
not
gold gate that won't permit me?
Under my tree, I survey
the ineffable names of things.
I call this tree Keeper
though its fruits do not fall
to feed me. Walnut,
*
child of this mistaken wonder,
I am infanta, Mother's
mirror- half
orphan,
half wife. I
only bite your hem.
Spoken promise. Again. But hem
*
is what keeps me from the ground.
Or hem
is what divides word from sound.
I read and
the book
replaces
the world.
I turn like pages.
No,
the bed stations me,---
*
I surface, the climax, and gently
conclude.---
the story is the trail.
Father wants a word with me. He sheds
his
light
around my bed, shifts
the room's dust.
I
do not budge.
I am in the margins. Far
*
as
she runs
from the castle
there are crumbs that will lead her back.
There are hunters
who will remember her
tucked into a fur mantle,
clotted
with a season of leaves.
There are the bees who saw her
sobbing ponds. Their hive,
a curious dangle, an eye. In
this world,
the
bees will talk.
*
I say Go
but the word whistles.
Go is a kettle
gone weird on the stove. Go
is Father's left brow, left hand,
left-behind
shoe. Take these
to the garden and bury them
in the muddy roots of my tree
and they will grow blue hemlock.
They will grow old
like
wallpaper vines.
What Mother called useful,
*
but
ugly:
To each pin
tie a thumb-sized stone
and to each inch around your hem
lock a pin. Wild
winds
will never blow you over -
your skirt, your obedient whim.
Inside,
you
know to
live the story
*
is to be safe.
Father, I know,
loves her. In
the garden,
Father buries
the
books I have finished,
the books I'll never read. I
am Walnut.
I
am the stone locked
in his mouth.
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