The Figure of the Reader in Ann Lauterbach's and Susan Howe's Poetry

By James McCorkle

• Part One
• Part Two
• Works Cited

Works Cited

Bruns, Gerald. Heidegger's Estrangements: Language, Truth and Poetry in the Later Writings. New Haven: Yale UP, 1989.

Carson, Anne. Eros and the Bittersweet. Princeton: Princeton UP, 1986.

Howe, Susan. The Birth-mark: Unsettling the Wilderness in American Literary History. Hanover: Wesleyan UP, 1993.
_____. My Emily Dickinson. Berkeley: North Atlantic, 1985.
_____. Singularities. Hanover: Wesleyan UP, 1990.

Kallenberg, Garrett. "A Form of Duration." Denver Quarterly 29.4 (Spring 1995): 98-109.

Lazer, Hank. Opposing Poetries, Volume Two: Readings. Evanston: Northwestern UP, 1996.

Lauterbach, Ann. And for Example. New York: Penguin, 1994.
_____. "The Night Sky III." American Poetry Review. 26.2 (March/April 1997): 19-25.
_____. "The Night Sky IV." American Poetry Review. 26.4 (July/August 1997): 35-42.
_____. On a Stair. New York: Penguin, 1997.

Perloff, Marjorie. Poetic License: Essays on Modernist and Postmodernist Lyric. Evanston: Northwestern UP, 1990.

Quartermain, Peter. Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe. Cambridge: Cambridge UP, 1992.

Reinfeld, Linda. Language Poetry: Writing as Rescue. Baton Rouge: Louisiana State UP, 1992.

Williams, Megan. "Howe Not to Erase(her): A Poetics of Posterity in Susan Howe's Melville's Marginalia," Contemporary Literature 38.1 (Spring 1997): 106-32.